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Grand Funk Railroad –
Rise, fallout and the bitter aftermath of an American rock fairytale
The story of Grand Funk Railroad — Grand Funk for short—has long been a chapter in the book of legends for die-hard rock fans: a trio that catapulted itself at lightning speed from the garage stage to arenas across the continent in the early 1970s. Loud, raw, uncompromising—a working-class band that made the heart of American rock 'n' roll beat like no other.
What many don't know—or have repressed—is the chapter after the final applause . What unfolded in the years following the big reunion in 1998 sounds less like a rock anthem and more like a legal thriller with human tragedy. No one tells it more impressively than Mark Farner , the creative mind and vocal force behind the band's classics:
"It was during our reunion. Don (Brewer) came to me and suggested we form a company where each of us would own a third of the Grand Funk Railroad name. That way, everyone could perform under that name. I said, 'Okay, why not?' I considered Don a friend. But I didn't read the fine print. It said that with two-thirds, you could kick a shareholder out. And that's exactly what happened. Don and Mel (Schacher) kicked me out of the company. Now they tour as Grand Funk—and play my songs. I'm only allowed to perform under 'Mark Farner.'"
It's the kind of story that doesn't fit into the press kit, but is part of rock history: friendship, betrayal, legal battles - while the audience continues to celebrate to "We're an American Band," a human drama unfolds in the background.
In their heyday, Grand Funk Railroad was nothing less than an American answer to British hard rock. With a dozen albums and about twice as many singles, the band stormed the US charts in the early 1970s. In Europe, however, their breakthrough largely eluded them—especially in Germany. Aside from their version of "The Loco-Motion," the singles didn't make a big impact.
Unjustly.
Because what Grand Funk offered was more than just heavy riffs. It was a sound steeped in blues, steeped in funk, carried by Mel Schacher's thunderous bass and an energy that could blow the roof off even the smallest terraced house. Anyone who doubts that should listen to Grand Funk's version of "Gimme Shelter." But please: Loud. Really loud.
Perhaps the band's most impressive statement comes from their third studio album , "Closer To Home" – a record that stands like a rock in the surf of rock history. It features the song of the same name, written by Mark Farner. A ten-minute epic about a captain facing a mutiny – a parable of responsibility, resistance, and inner strength. The studio version is cinematic, the live versions, especially by Farner himself, are an experience in themselves – raw, honest, full of pathos.
Today, Grand Funk Railroad is on stage—but without Farner , without the voice that defined their sound. He continues to play, on his own, under his own name—with dignity, with conviction, with passion.
Because some flames, as we know from the history of rock'n'roll, cannot be easily extinguished.